WIPO Blog (SCCR 35) Day 5 – That’s a Wrap

Apart from conducting meetings all week with delegates of Members States, the IPA team has also been busy meeting with the Genevan Ambassadors of key countries. Sometimes we do so to thank them for their support and at other times we do so to quiz them about their positions when they undermine their own local publishers and creators. It’s always good to let our allies know that we appreciate them, and it’s equally important to let the other side know that we are listening to what they say and that, if we disagree, we are always ready and willing to explain our own positions.

Meanwhile, back at WIPO, the morning’s session kicked off with a discussion about a possible new agenda item for future SCCR meetings: resale right for visual artists, otherwise known as ‘droit de suite’. Resale right already exists in a number of jurisdictions and in places like Australia it works quite well. If resale right were to make its way onto the main SCCR agenda it would be a welcome change since it is a topic that expands creators’ rights in contrast to the insistent discussions around exceptions and limitations to copyright law which we have had to endure for some years. The discussion this morning revolved around a presentation by Professor Joelle Farchy on the report Economic Implications of the Resale Right, which she co-authored with Professor Kathryn Graddy and which concluded that artists were, unsurprisingly, overwhelmingly in favour of implementing resale right internationally. In the end, the Member States decided to continue to discuss this topic but keep it under the ‘other matters’ rubric rather than the main agenda.

Also discussed today was a Scoping Study on the Impact of the Digital Environment on Copyright Legislation Adopted between 2006 and 2016 authored by Dr Guilda Rostama, as well as Professor Jane Ginsburg’s summary of a brainstorming exercise between copyright academics conducted at WIPO in April around the topic of the application of copyright in the digital environment. These developments surely point to a growing interest and imperative at SCCR to focus on the effects of the digital economy on the workings of copyright, although some Member States pointed out that the topic as proposed by the GRULAC Group (Latin American and Caribbean countries) goes beyond the scope of copyright protection.

A number of other topics were wrapped up in the last few hours of the day and the Chair’s Summary (usually requiring a painful and protracted negotiation) was accepted relatively easily. We were liberated from SCCR 35 just after 19:00 and we walked out of WIPO into a dark and cold Geneva night, tired but satisfied that some progress had been made on the Broadcasting Treaty but no damage had been done on the exceptions and limitations part of the agenda.

As a codicil, the rhetoric of the meeting swerved when some NGOs began talking about the economic success of nations that had supposedly more ‘flexible’ copyright regimes. Many of us from the Creative Sector Organisations heard in this rhetoric echoes of tech giants pushing for US-style ‘Fair Use’ — arguments that the IPA has consistently countered. At the end of the SCCR, it was good to receive a rebuttal, by Dr George Ford of the Phoenix Center in Washington DC, of one of the studies presented at the meeting which was attempting to indicate a link between ‘open exceptions’ and innovation.

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Thursday, 19 September 2019

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