Michiel Kolman, Chair of the IPA's Inclusive Publishing and Literacy Committee talks to author, translator and publisher Lawrence Schimel about his children's books, their reception in different markets and the shared borders of freedom to publish and inclusivity.

Persian Twitter is filled with an image showing two different covers of the third-grade math textbook in Iran these days. One is from 2019 depicting two girls and three boys playing outdoors. The second one, that caused the storm of fury, is the 2020 version in which the two girls are deducted!

The second and final day of the IPA Regional Seminar in the Middle East was opened by Sharjah publisher Bodour Al Qasimi (Kalimat Group), who is (among other things) also the IPA Vice-President.

Between end of July and early September I had the chance of participating in several important events throughout Latin America. A region full of contrasts, where a wealthy, vigorous parts of society still coexists with undeserving levels of poverty. An assignment still to solve. Every country with a different, rich culture and traditions and enchanting people.

Every year I read dozens of manuscripts submitted to our publishing house. Unfortunately not all of them are as enjoyable or educating as I expect and only a handful end up published. Beside these books, that I don’t have any control in choosing, I have another ‘to read list’ that I cherry pick from prize shortlists, reviews in magazines and newspapers, friends’ and colleagues’ recommendations, or just authors I love!

What do Kenya, Germany and Korea have in common? There are all members of IPA, and during June I had the unique opportunity to make a two-week trip to all three of them.

Diversity and Inclusion comes in many different shapes and colors and this month, Pride month in many countries, the focus will be on LGBTI+, or Lesbian, Gay, Bisexual, Transgender and Intersex, where the plus denotes all other groups in an overall inclusive approach to sexual orientation and gender identity.

The first time I encountered a self-published book in Iran was about 10 years ago. My blogger friend tried to publish his first collection of short stories and faced a dead end with the book office censors. The whole book had a dark comedy theme and, as I remember, one of the protagonists was a rather stupid army commander. The authorities had told him that it is an insult to our “sacred military forces”. 

Days 1 and 2

Sometimes it happens that when you hear a lot of positive comments about an event. Your expectations rise, and you get disappointed once you see the reality.

By Jessica Saenger*, edited by Ben Steward. The ‘homocleansing’ of the Russian edition of Victoria Schwab’s Shades of Magic series offers a topical hook on which to hang the publishers’ dilemma about duty to authors and their duty to stay in business.

This month the hit American author tweeted her outrage at learning that her Russian publisher had ‘redacted the entire queer plot w/out permission’. She added: ‘I was absolutely horrified. Wouldn’t have known if not for a Russian reader who read both editions. Publisher in total breach of contract.’

There are two strands to Schwab’s indignation: the redaction – or censorship – and the manner of that redaction. Quite apart from normal contractual requirements, simple courtesy would dictate that any author deserves fair warning of significant plot changes, whatever the reason. If this didn’t happen here, then the publisher may well have infringed the author's moral rights and be in breach of contract. That is for Rosman and Schwab to work out, although unquestionably the writer is entitled to be upset at discovering by chance that her work had been mangled.

That said, Schwab would do well to take a breath and consider where best to direct her wrath.

Explaining itself in the Vedomosti business daily, Rosman admitted it had censored a romantic scene between two characters in the second book of the Shades of Magic trilogy ‘so as not to violate the law banning the propaganda of homosexuality among minors’. In other words, to avoid criminal liability and having the book wrapped in plastic and given an 18 rating in Russia – thereby losing a large chunk of Schwab’s target readership – the publisher did what the law wants and altered the offending scene. It is Russia’s oppressive gay propaganda law that lies at the root of the problem, not the publishers who obey it.

I recently had a chance to visit Dhaka to meet the IPA’s member there, the Academic and Creative Publishers Association of Bangladesh (ACPAB).